LIBRARY HOURS: MONDAY 10AM - 6PM | TUESDAY 10AM - 8PM | WEDNESDAY 10AM - 8PM | THURSDAY 10AM - 8PM | FRIDAY 10AM - 6PM | SATURDAY 10AM - 6PM | SUNDAY CLOSED
6:00 p.m. - Tech Classes with Paul: iPad and iPhone Class [read more]
*NEW TIME* 5:00 p.m. - Harvey Art Projects - Nici Cumpston Artist Talk and Screening [read more]
5:00 p.m. - Teen Tech Week: Student Stop-Motion Animation Screening [read more]
Sun Valley Artist Series brings us a series of screened lectures by the famed Leonard Bernstein, on the nature and significance of music in our lives.
Always absorbing and frequently brilliant, Leonard Bernstein's The Unanswered Question is a very lucid and convincing discussion of music's history and forms, with particular emphasis on modern music. It addresses the average intelligent listener who is not musically trained but wants to know what makes music work--what is meant, for example, by "tonal" and "atonal." It requires some concentration, but Bernstein, a superb teacher, keeps technical jargon to a minimum, illustrates what he means with musical examples and graphics, and repeats key points.
Delivered in 1973, the talks were transcribed for a book, but in it Bernstein insists "The pages that follow were written not to be read, but listened to," really an endorsement of the video edition. The talks are, in fact, performances. Television was always kind to Bernstein; he had magnetism and knew how to use it. To illustrate various points in his analyses, he plays the piano frequently, sings occasionally, and conducts significant works of key composers: Mozart, Beethoven, Berlioz, Wagner, Ravel, Debussy, Ives, Mahler, and Stravinsky.
Bernstein traces the development of music from its origins to the 20th-century struggle between tonality (championed notably by Stravinsky) and atonalism (represented mainly by Schoenberg). The last two talks, devoted to these composers, are particularly enlightening, but all six are outstanding. He argues persuasively that humans are born with an ability to grasp musical forms, and that rules of musical syntax are rooted in nature--in mathematically measurable relations between tones and overtones.